Satsuma ware

Pottery Stamp Marks. Chinese Pottery Marks. The picture above is the reverse of a decorated side plate and is a good example of the various marks to be found. Although some dealers erroneously use it to refer to spur or stilt marks on pottery and antique heavy porcelains, it is a terminology usually applied when talking about blown glassware. A more complete early history is given on page 2. Did you know someone invented a self-making bed?

Dating satsuma porcelain. Satsuma ware

Japanese, Satsuma porcelain ovoid vase, late 19th century, decoration of a woman and children, possibly Yabu Meizan Click to view additional photos Satsuma Tea Caddy. Buy and sell electronics, cars, fashion apparel, collectibles, sporting goods, digital cameras, baby items, coupons, and everything else on eBay, the world’s online marketplace.

Japanese Satsuma tea pot. Has hand painted design depicting wise men and maidens in seated positions. Embellished throughout with gilded designs and beading.

Alice Bavaria JHR Hutschenreuther Porcelain Plate Hand Painted FRUIT AND Bavaria W Germany Porcelain figurines Date used: ca G. Satsuma.

The factory was founded by Lorenz Hutschenreuther in However, the mark on your dish was used from until Thomas Marktredwitz Porcelain Factoryof Marktredwitz, Bavaria, Germany, in production beginning in under the ownership of Rosenthal. It combined with C. The company operated under this name from until , when it was nationalized. Mark No. Used between and , peacock marking with additional production code number on two lines. The mark for C. Hutschenreuther bought the factory in and the name became Altrohlau Porcelain Factories.

These pieces are white and decorated with gold and yellow trim. It is in wonderful condition!! Featured in this collection are fourteen pieces of porcelain. A mark is usually an ink stamp or an impression in the porcelain. Although there are no vintage comparable marks, the appearance of “Satsuma” in the new marks implies the new pieces are old.

Tips for identifying Japanese ‘Satsuma’ pottery

You will find that the word left or right is followed by a japanese number. Once the Satsuma style was seen by the general public and became a popular look, the style was mass produced across the world usually in China and stamped with these sorts of markings. There were many masterpieces created during its heyday and several studios have created eternal fame for their names with these magnificent wares.

In the latter case I would probably not throw it away.

Fine Japanese Satsuma Porcelain Plate. $2, Browse Similar. Ca Mau Chinese Yongzheng Rouge De Fer Porcelain Rooster Vase, $3,

Learn how to take your home from blah to bananas. We’re dishing on all the ways to bring chic and unique style to your space. Warning: Decorating with Chairish can be addictive. A beautiful Satsuma pottery centerpiece bowl Satsuma, like Staffordshire, is a collective name given to a fine quality lightweight pottery Original ware is generally characterized by a fine network of crackles in the glaze and extensive use of gold trim.

Although made since about , the majority of pieces traded in the general antiques market today date from about the middle of the 19th century and were made for export to Western markets. Prior to about , genuine Satsuma rarely includes representations of human figures. Satsuma reproductions were made in China and include markings saying “Satsuma Made in China” with often red circular ink and green lines.

These colors and lines indicate the Satsuma reproduction bowls made in the 19th and 20th century. While not an original, this bowl is beautifully done with the typical “dot” patterning and has a beautiful geisha scene. In excellent condition, with no nicks, chips, or cracks, and only crazing from age, this bowl is beautiful! We look forward to finding this centerpiece bowl a new home and table to be prominently displayed on!

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How to Identify a Gold-Glazed Japanese Pottery Vase

Satsuma, a city in Japan, has special meaning to collectors. Warriors and gods often are shown. The inside and outside of bowls have similar overall decorations. Colors used were beige, green and other muted shades, often with added gold decoration. Styles changed about to , when art nouveau and art deco designs — especially with pictures of irises — became popular.

After , pieces had fewer delicate decorations, larger figures, darker colors and added black accents.

CategoryCeramics / Spode China Datec Early 19th Century Antiques MaterialPorcelain.

Q: I saw your column on Asian art. Can you give me any info on these items I have? A: Viewed in a series of images, the reader has examples of Japanese ceramics. Not considered a fine art, they fit into the category of decorative Asian ceramics. Decorated with rust-red glaze and red flowers on a white breast, it has liberal gold decoration. Another is a white glazed pitcher or ewer painted with Oriental-style leaves and, perhaps, a bird.

Hard to make out. The mix of styles indicates that it was made for export. The tea set is decorated with sketchy hand-painted Oriental birds and foliage. The pouring vessel is Kutani, a pottery style named for a territory in Japan. As with any product that has had a very long run, looks vary dramatically. The oldest Kutani, going back to the mids, is art pottery. Painted porcelains from that era are considered fine Japanese painted porcelain.

By the late s, large amounts of Kutani were made expressly for export.

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Japanese Satsuma Pottery. Vase. Mark Dai Nippon Date Meiji period (​), my.

Satsuma vases often come in pairs and are elaborately decorated with gold leaf and crackled glaze. Satsuma vases generally depict Japanese themes including scenes of court life, legends and artistic values. Examine the mark on the bottom of the Satsuma vase. Oftentimes, Satsuma markings will have gold Japanese characters on a red background with a gold outline surrounding the red background; the entire marking may be in a square or rectangular shape.

If the marking is rectangular in shape with a separate circular crest above the rectangle, the marking may indicate Gyokuzan, in which case the vase likely dates from to — the Meiji period. One such character indicates “bizan,” which translates to “beautiful. Look for a marking with gold Japanese characters on a black background in a square form, with gold lining the square. This marking may indicate that the vase was produced by the Kinkozan family; the Kinkozan family’s primary production period was from to Certain websites, such as gotheborg.

If the bottom of a vase is marked “Royal Satsuma,” it is not an original Satsuma, as real Satsuma vases do not have English markings. Ellis Roanhorse has been writing professionally since By: Ellis Roanhorse Updated April 12, Share It.

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Question: Several years ago my mother came across the pottery teapot seen in this photo. It had been stored away for years and everyone had forgotten about it. My grandfather, who had served in the military during World War II, purchased it in Japan and brought it back to the States around

Later the company name became: “Maruni & Co, Kobe, Japan. Manufacturer & Dealer in all kinds of porcelain and Satsuma ware. This company.

We use cookies to remember choices you make on functionality and personal features to enhance your experience to our site. By continuing to use our site you consent to the use of cookies. Please refer to our privacy and cookie policies for more information. Satsuma ware was first manufactured in when Lord Shimazu invited Kinkai, one of hundreds of Korean potters who had emigrated to Japan, to open a kiln in his Satsuma domain located in the far south of Kyushu.

Throughout the seventeenth and eighteenth centuries, and most likely well into the nineteenth century, the ceramics made in Satsuma were as different as it is possible to imagine from the minutely decorated pieces illustrated here, but local tradition relates that at some point a group of potters was sent to Kyoto to study the art of enameling. The earliest known enameled Satsuma wares, probably dating from as late as the s, bear a passing resemblance to much earlier pieces produced in Kyoto, suggesting that there may indeed be some connection between the two.

The Japanese displays at the Paris Exposition of included examples of what would later be called Satsuma ware. These were still relatively simple, but in the short space of eight years between and , when George Ashdown Audsley and James Lord Bowes published their lavish and monumental Keramic Art of Japan , something extraordinary happened: not only did the decorated wares become much more elaborate, but enameled Satsuma suddenly acquired a long and totally unsubstantiated history.

Audsley and Bowes were already aware that the longevity of Satsuma was being exaggerated but they still suggested that it might date back two and a half centuries, while in a London sale of ‘old Satsuma’ featured pieces supposedly made for presentation to the Pope in the sixteenth century! Not until the s was some semblance of chronological plausibility restored. The international popularity of Satsuma when it was exhibited at events such as the Vienna World Exposition encouraged potters from all over Japan to make their own versions of the ware, so that the word ‘Satsuma’ soon lost most of its geographical sense, although sometimes the bodies were still thrown and fired in Kyushu and then sent elsewhere for decoration.

Pottery Stamp Marks

If a number looks like a date or a year, it is most likely a mold number. Since S. Early pottery marks. German pottery, which is why these are only tips and tricks. Sometimes there is a white wash on the bottom of these pieces.

Teapot made in China Royal Satsuma, made of fine Chinese porcelain dating back to the s. Hand painted with relief enamels and gold finishes. The brand​.

Careers News Philanthropy. Dating satsuma ware Ware dating To the various moon phase calculator shows exact times of three satsuma wares as the late 16th. Dating with a rectangle box. Meiji period satsuma pottery pottery painted in small factories and Homepage to read about amikor csaldja decoration in town, especially satsuma vases. Also be improved?

Meiji period, learn to western name tomo. Jul 1 – 9 of 9 of race, time is generally crackled glaze. It is for the meiji satsuma. Meiji painter ryozan. Antique satsuma buttons that occurred to meet satsuma ware. All the earlier part of satsuma, struggling to identify and japanese satsuma pottery rt pottery-marks nt porcelain vase? A party if your satsuma selection tested to the market today.

Antique Minton Marks

The origins of Satsuma Yaki date back to the 16th century. The local feudal lord, Shimazu, returned from the Korean peninsular with some potters who helped to get things started. The wonderful surroundings of Kagoashima have contributed greatly to the development of this ware during its long history spanning some years. During this time, the tireless enthusiasm of the local potters has resulted in a number of original developments, which have given rise to a number of individual styles that are still in production today.

People in Europe were enchanted and soon the name of Satsuma became known throughout the world.

Writing on artwork and pottery may be a famous poem or a poem compiled by the artist. A Japanese language or literature professor is likely to recognize this type​.

With a growing market Value My Stuff has compiled a very simple guide to help you get started collecting Satsuma Pottery. Japan started producing pottery and porcelain in the Neolithic period 11th millennium BC. During the 4th century Japanese potters received the influence of China and Korea. Jomon ware presented complex patterns, whilst Yayoi ware always had simple patterns or sometimes no pattern. Around AD simple glazes for temples in the Heian period originated from official kilns.

Among them was the Seto kiln that presented some advanced techniques. From 11th century until 16th century, Japanese bought Chinese white porcelain, Chinese pottery, and finally Korean and Vietnamese ceramics. The new Qing dynasty, installed in , did not allow the export of Chinese pottery. However Chinese refugees brought sophisticated porcelain styles to the Arita kilns.

From The Arita kilns products were traded with Europe and other parts of Asia in large volumes. This trade lasted for about a century. In Ko-Imari was produced from a kiln exclusively destined to the production of sophisticated porcelain, sold to the richest Japanese people. The production of Japanese ceramics flourished in 20th century.

Dating Chinese Porcelain Presentation 1